We are enjoying unplanned two-day weekends at the moment. Unfortunately, this is because Chris has got tendonitis in his hands and can't work - can't Rolf/massage that is. It's a form of tendonitis that is apparently common in parents of young children, though more often mothers than fathers. But Chris does carry Mikaela around more than I do. Then again, it could be unrelated to parenting altogether.
We had planned that Chris might take a six month break from Rolfing from around Christmas this year until the end of first semester next year. That way we would get a few months of two day weekends, and when I went back to studying next year I could work all day Sunday and we could still have one day weekends. After having no weekend days to speak of for the past eighteen months and more, we want to make sure we keep at least one family day from now on.
Well, it looks like Chris is going to get his time off Rolfing a little early. He's already had a few weeks off, in the hope that his hands would improve, but they haven't. Which is not all that surprising, when you think about it - cutting out one day a week of Rolfing was hardly likely to make a huge difference, unless it was Rolfing that caused the problem, which seems unlikely. He's going to see an osteopath who sounds like the
closest thing to a Rolfer there is in Canberra (aside from Chris
himself), maybe that will help. Of course, the osteo he wants to see
would have to be on the other side of town and not work on weekends...
All this is sux course. Painful, for Chris, and also frustrating. Rolfing is by no means the only thing he can't do, and so far it seems to be getting worse, not better. And of course there's the missed income... lucky it only happened right when I was about to go back to work. Too bad about the money we'd been planning to save when I did...
But the upside? Two-day weekends. Two-day weekends are delightful. I can't tell you how nice it was this weekend to just potter around without any plans. Sort of. We did go see my cousin out on his property in Wamboin, which we hadn't been to before. We're thinking of buying his car (which is a whole other post, but maybe I'll get to that later). It was nice to be able to say "We'll come out Saturday morning," and not have to worry about fitting it in around clients or studying. And I did spend most of Sunday at my mother's doing washing - with and without kids - because our washing machine broke down two weeks ago today and *still* isn't fixed. That's another post, and a whingy one, but I couldn't be bothered writing it.
But in addition to that I (finally) finished off the fence to keep the chickens in and Lochie out - now we just have to put on the gate (easier said than done, but we're nearly there); we read lots of books to the kids; I read half a Kerry Greenwood
book (while doing washing at Mum's without kids yesterday afternoon); Chris took Liam to learn to ride his bike with no training wheels on (which reportedly went very well); and we sat down as a family to home-made fruit bread rolls with jam and whipped cream for brunch yesterday morning. Yum.
Actually though, the most fun of the whole weekend was not dependent on it being a two-day weekend, because it was on Saturday night. My mother gave us tickets to see the Australian Chamber Orchestra as a birthday present for Chris, and then babysat while we went out to dinner and to the concert. I'm not much of a music critic, but I must say it was an awesome concert. I'm not generally a major fan of modern orchestral music, and this was all modern. The first piece was Shostakovich's String Quartet No.15, with projected images from Shaun Tan's book The Arrival. I don't know much Shostakovich, and I was blown away. I found the combination of the images and the music effective but also distracting - each one distracted from the other. Still, it was an interesting arrangement. The second piece was even more modern. In fact, it was the world premiere, by Michael Yezerski with Richard Tognetti (artistic director of the ACO). It was a collaboration with Gondwana Voices, and was also accompanied by the images of Shaun Tan, this time from his book The Red Tree, which inspired both the music and words of the performance.
One time when we went to see the ACO there was a piece that included fifteen separate violin solos – all at once. That was, frankly, not my cup of tea. But this was altogether different. There was a bit where there were at least four different violin parts going at once (as well as viola, cello etc) but it was melodic, not the cacaphony that was fifteen solos. I was pretty tired by this time (shouldn't have had that glass of wine with dinner, even if I did let Chris finish it off), and had to let alot of it wash over me, but even so I enjoyed it immensely. The choir were fantastic, and the first solo soprano - who I would say was about 13, but I could be out by several years - had an amazing voice. The other soloists they had were also good, but she was stunning. All this, and we got to have dinner out - with no kids - as well. What more could we ask for a fabulous evening?
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