In a 2005 article Elissa Foster records a friend’s experience of pregnancy and miscarriage in 2000.
Noting that keeping a pregnancy secret in the early months is a common
practice, Foster wonders how her friend’s experience “may have been different
if her story had joined others in a collective tale of desire and loss” (Foster, 2005, p. 67).
Geraldine Dooge answers this question, in part, in her forward to Always a part of me: Surviving Childbearing Loss (Collinge, A, et al., ABC Books, Sydney 2002) when she writes: "Once people talk, things change" (p. xiii). That may seem somewhat simplistic, but at the same time, it's true. Until people talk, nothing changes.
Foster notes that women’s stories have
traditionally been consigned to the private rather than public sphere,
considered as gossip.
Following Dale Spender (1985) she notes that the “political implication of
trivializing women’s talk is that women remain powerless when they remain
isolated from each other, and unable to voice their experiences in ways that
might transform existing power structures” (p. 63).
This is at least partially where my interest in life writing comes from, which in the context of my research project is extending to an interest in autoethnography, narrative theory, and of course literature. My piece of fiction for this project mimics (I think) autoethnography, but of course the narrator is fictional, and so are the stories she tells, her own and other's. So where does fiction fit into this process, and what's the difference between the roles of 'literature' and popular fiction?
I suppose one might expect that literature would tend to challenge, undermine or at least revise master narratives by giving voice to counter narratives. Whereas popular fiction would presumably be expected to support and reinforce the master narratives, or dominant narratives of our culture. For instance, that all women want children, that those who don't have them are to be pitied and/or reviled (to put it bluntly). But does popular fiction have to do this? And can't it reinforce some while undermining others? This literary vs popular fiction question is just a sidetrack really, but something I have kept coming back to ever since I started this masters.
Of course, part of my interest in all things life writing probably comes from the simple fact that I keep a blog; that I have been doing so now for eight years. But it goes both ways: one of my reasons to continue to keep a blog is this idea that when people talk, things change. And when we don't, nothing does. So maybe I'm only talking to five people. Maybe I'm not talking to anyone today. But if I don't put it out there...
And on that note I must close, because my house guests have just called for final directions to my house. :)
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Dooge, G, (2002), 'Forward' in Collinge, A, et al., Always a part of me: Surviving Childbearing Loss, ABC Books, Sydney
Foster, E. (2005, Spring), “Desiring Dialectical Discourse: A Feminist Ponders the Transition to Motherhood”, Women’s Studies in Communication, Vol. 28, no. 1, pp. 57-83.
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